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The Secret Doctrine

by MasterMason

During the past month I have been introduced to a book titled “Freemasonry and its Hidden Meaning” written by George H. Steinmetz and available through Macoy Publishing, Richmond Virginia. This is a relatively small book of only 213 pages and very easy type to read.

This is an incredibly interesting publication in that it deals with our beginnings, ritual and symbolism in a short and concise fashion.

Of interest to me, and I hope to you readers, is a presentation on “The Secret Doctrine” which I have found quite thought provoking and, although, due to length, it will force the use of an additional page, I have decided to share it with you. Please excuse this, hopefully, a once only lapse in format.

The Secret Doctrine

“Freemasonry is a beautiful system of morals veiled in allegory and illustrated by symbols. Its tenets are Brotherly Love, Relief and Truth. Its Cardinal Virtues are Temperance, Fortitude, Prudence and Justice.”

“Its religion, if religion it may be called, is an unfeigned belief in the one living and true God”

Quoted from the Masonic Manual of Missouri

In addition to the definition of Freemasonry given above we repeat Pike’s definition:

“Freemasonry is the subjugation of the human that is in man by the Divine; the conquest of the appetites and the passions by the Moral Sense and the Reason; a continual effort, struggle, and warfare of the Spiritual against the Material and Sensual. That victory, when it has been achieved and secured, and the conqueror may rest on his shield and wear his well earned laurels, is the true HOLY EMPIRE”

These two definitions of Freemasonry are apparently similar, yet there is a difference. The Latter informs us as to what Freemasonry is, and to a limited extent advises how to become a Master Mason through

“the conquest of the appetites and the passions by the Moral Sense & Reason”.

However, it contains  thoughts, different from those in the former definition, as it is more definite as to the “Morals.

The definition from the Craft Lodge Manual very distinctly states this system of morals” is “veiled in allegory and illustrated by symbols.” This statement will bear further investigation. If it is correct, it may be assumed there is something underlying the explanations given in the various lectures of the degrees.

“Something which is “veiled in allegory and illustrated by symbols.”  This can be considered as an instruction where to look for the meaning. It is obvious that the “Veil” must be parted and the hidden meaning of the allegory” discovered. It is equally obvious that the usually accepted meaning of the symbols is not enough for our purpose, for then their meaning would be immediately apparent and such is not the case. This system which they illustrate then must be “illustrated” by a clearer interpretation of their meaning than is apparent on the surface to the casual observer.

Analysis of the actual words in the quotation reveal a subtle significance not ordinarily attributed to them.

MORALS —The common use is: discriminating between right and wrong, chaste, just, ethical.” This word of Latin origin literally means “custom” but a shaded meaning states verified by reason, logic or probability”

ALLEGORY—“Description of one thing under the image of another. A narrative in which a teaching is conveyed symbolically. Presents a truth under the guise of fictitious narrative or description”

SYMBOL— Something that stands for, represents, or recalls something else, not by exact resemblance, but by suggestion or associations of thought; especially an object that represents something abstract, as an idea, quality or condition.”

If the definition of Freemasonry is reconstructed in the light of the words used in the previous definitions it would read:

“Freemasonry is a beautiful system of customs, or method of living, which, if followed, results in one’s discriminating between right and wrong, being chaste, just and ethical. This custom is verified by reason and logic. However, it presents a truth under the guise of fictitious narrative, and is in reality describing one thing under the image of another, using actual objects to represent abstract ideas.

“NOT BY EXACT RESEMBLANCE—BUT BY SUGGESTIONS OR ASSOCIATIONS IN THOUGHT”

There is the answer. The symbols are not used in the commonly accepted meaning. It is

“NOT BY EXACT RESEMBLANCE;” there IS a clearer interpretation, as we suspected; it is one of

SUGGESTIONS OR ASSOCIATIONS IN THOUGHT.”

There is a SECRET DOCTRINE in Freemasonry. That secret doctrine is concealed, rather than revealed, by the very lectures which, we are told, offer a “rational explanation of the ceremonies of initiation. If we were to accept these rational explanations as final and seek no further, Freemasonry would be a farce.

We should find ourselves on a “dead end” street from which it would be impossible to make any progress.

Here is it necessary to digress that we may lay the foundation of our super-structure (as any operative mason would do) by inquiring into some of the actual history of Freemasonry, to discover its beginning and evolution.

Historically, we trace Freemasonry to a number of Operative Lodges in England. Extant records indicate that in the year 1717 four Lodges in London established themselves under the denomination of a Grand Lodge which they constituted at that time. One of the oldest documents containing a written record of Operative Masonry is the Regis or Halliwell MS. Circa 1390.

Many books have been written proposing various theories as to the origin of Freemasonry. The generally accepted theory is that our present Lodges are the outgrowth of the Operative Lodges of Guilds, of the Middle Ages. There is no inclination to question the fact that our Modern Lodge,

AS AN ORGANIZATION, owes its origin to those Operative Lodges, but what of its esoteric teaching??

Are we to believe that these craftsmen of the medieval guilds, most of whom were actually illiterate, conceived an entire philosophy such as Freemasonry, and then, with consummate cunning, concealed it beneath a complicated system of symbolism and allegory?

For the rank and file, the symbols were used, if at all, for ethical analogies, and they were as ignorant of the underlying meanings, as are most Freemasons of today. They but served the purpose of being the preservers of its mysteries. As the reincarnated soul is said to choose the body and the environment best suited for its growth and evolution, so may if be that these Operative Lodges were chosen to form the “body” for the spiritual teachings of the secret doctrine.

Let us investigate the term “Free as used in relation with “Mason.” Some authorities advance the theory that in ancient times “Bonds Men could not join the Operative Guilds. Hence a Mason was a “freeman” and perforce a “Free Mason.” Others attach significance to the word Free” in connection with the request for admission, It being of the applicant’s free will and accord. Both theories find some support in the rituals of various Grand Jurisdictions. In some jurisdictions the candidate recites his qualifications, at the door of the Lodge Room, as being of lawful age, FREE BORN etc.” Here is predicated the theory of being a “free” man. All ritual supports the theory of the candidates “FREE WILL” and accord. Enough theories have been advanced to fill volumes on this specific subject. Herein it is not possible to comment on all of them. One of the more interesting is cited for the benefit of the reader, and it also contains the thought of the antiquity of Masonry.

Robert Hewitt Brown writes” Long before the building of King Solomon’s Temple masons were know as “sons of light.”  Masonry was practiced by the ancients under the name of Lux (light) or its equivalent, in various languages of antiquity***”

We are informed by several distinguished writers that it (the word masonry) is a corruption of the Greek word ‘MESOURANEO’ which signifies I am in the midst of heaven’ alluding to the sun, which ‘being in the midst of heaven’ is the great source of light.

Others derive it directly from the Egyptian ‘PHRE’ the sun and ‘MAS’ a child: ‘PHRE-MASSEN’ —Children of the Sun, or Sons of Light”

Regardless of the origin of the modern Lodge, or of the name Freemason,” we can, after freeing the symbolism of modern adaptations, discern in Freemasonry the outlines of the teachings of the ancient mysteries of Egypt.

ONE SUPREME BEING–IMMORTALITY OF THE SOUL–THE THREE-FOLD COMPOSITION OF MAN,

that is: body, soul & spirit (more correctly expressed as physical, psychical and spiritual). Three planes of being dealt with in three “grades” or levels of instruction.

Pythagoras said; God formed TWO things in his own image; first the Universe itself, and second, Man”

The Bible informs; “AND God said, Let us make man in our own image, after our own likeness”.

The ancients postulated the complete man as the triune man composed of the body, soul and spirit. He was symbolized by the right angle triangle. The horizontal represents the physical or material, the perpendicular represents the Physical or mental and the hypotenuse the spiritual.

(The complete man symbolized by the right angle triangle should not be confused with the perfect or spiritual man, whose emblem is the equilateral triangle.)

The purpose of the mysteries was to teach the candidate the secret of making of himself the perfect man. Symbolically, it is the secret of progressing the right angle triangle to the equilateral triangle. As no “whole” can be complete and perfect except its parts be complete and perfect, their instructions were divided into three parts, or grades. The first dealt with the physical, the second the psychical and the third the spiritual.

The body is the vehicle of the mind and the spirit; and to male it a fit habitation for them the Mysteries began their instruction with the purely physical aspect of man and his material relation to the Universe.

This teaching was that a strong and obedient body was requisite for the development of a strong mind  and, mind being the instrument of spirit, a strong and well developed mind was essential to spiritual development. Theirs was a rigorous and dangerous initiation, and a strong body was indispensable to the candidate if he were to survive the physical ordeals entailed by the actual initiation as well as the arduous studies necessary for his mental development. This occurred before he was even introduced to the spiritual. Also, it was necessary to understand the operation of the material laws, for they subscribed to the ancient theory that the material laws are but the extension into the manifest universe of the spiritual laws.  ‘As above, so below.”

The candidate was obliged to spend years, if necessary, in each of the grades preceding, before he was permitted to proceed in spiritual instruction. Under such as system it is obvious that it was highly essential to “make the necessary proficiency in the preceding (degrees) grades” before he could be admitted to the next higher

If Freemasonry is the actual descendant or, if one prefers the term, reincarnation of the Mysteries, back of its “veil of allegory” then must be concealed a deeper truth than expounded in the various lectures of the degrees. Therefore, we should be able to discover a similarity in its degrees with these ancient grades.

The first degree should concern itself with the physical or material; the second should deal with the psychical or mental; the third degree wholly with the spiritual.

The ceremony of initiation in each degree should reveal a more recondite teaching that what appears on the surface. It should be discovered that its symbology and allegory is as useful to CONCEAL that teaching from those who do not seek it out as to REVEAL it to him who of his own free will and accord earnestly and prayerfully attempts to pierce the veil of mystery.

If the symbols can be consistently interpreted in this manner, throughout the three degrees, we have confirmed Freemasonry to be the reincarnation of the Ancient Mysteries of Egypt; we have rediscovered some part of the ancient teaching and have removed the veil of allegory from the Great Truth of the Universe.

Comment

Now that you have read this presentation, I sincerely hope you will understand WHY I felt it impossible to share it with you in TWO parts.

Personally I have found this author’s views to be very thought provoking, and in that this is what I have always intended “The Educator” to be, hopefully it will catch your attention and create thought & discussion.

One of the wonderful things about Freemasonry is that “as Brothers” we are encouraged to make that “Daily advancement in Masonic Education” and share that knowledge with others from our own personal perspective.  What a blessing.

In July 2009, The Educator, dealt with the Saint’s John and I alluded to a further St John named “St John the Almoner” and promised more info on that subject.  The following quotation should fill that promise.

St John The Almoner (from Mackey’s Encyclopedia of Freemasonry 1917)

The son of the King of Cyprus, and born in that country in the sixth century. He was elected Patriarch of Alexandria, and has been canonized by both the Greek and the Roman Churches, his festival among the former occurring on the 11th of November and among the latter on the 23rd of January.

Bazot (Man. du Franc-Mac., p 144) thinks that it is this saint, and not St John the Evangelist or St John the Baptist, who is meant as the true patron of our Order. “He quitted his country and the hope of a Throne” says this author, “to go to Jerusalem, that he might generously aid and assist the knights and pilgrims. He founded a hospital, and organized a fraternity to attend upon the sick and wounded Christians, and to bestow pecuniary aid upon the pilgrims who visited the Holy Sepulchre. St John, who was worthy to become a patron of a society whose only object is charity, exposed his life a thousand times in the cause of virtue. Neither war, nor pestilence, not the fury of the infidels, could deter him from pursuits of benevolence. But death, at length, arrested him in the midst of his labours. Yet he left and example of his virtues to the brethren, who have made it their duty to endeavour to imitate them.

Rome canonized under the name of St John the Almoner, or St John of Jerusalem; and the Masons— whose Temples, overthrown by the barbarians, he had caused to have rebuilt—selected him with one accord as their patron

Oliver, however, (Mirror for the Johannite Masons p.39) very properly shows the error of appropriating the patronage of Masonry to this Saint, since the festivals of the Order are June 24th and December 27th, while those of St John the Almoner are Jan 23rd and November 11th. He has, however, been selected as the patron of the Masonic Order of the Templars, and their Commanderies are dedicated to his honour on account of his charity to the poor, whom he called his “Masters,” because hoe owed them all service, and on account of his establishment of hospitals for the succor of pilgrims in the East.

Norm

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THE WORKING TOOLS OF A MASTER MASON 

The Working Tools of the Master Mason Degree, are the Skirret, the Pencil and the Compasses – characteristically and unmistakably the tools of the Architect, the Designer and the Master builder himself.

THE SKIRRET.

You are unlikely to discover the word “skirret” in any modern dictionary or encyclopedia – at least, not in the context with which we, as Freemasons, are familiar.  It seems to have disappeared from the language of the operative builder.  But if the word has been forgotten, the instrument itself has not, and it is in as general use as ever.  It is better known as the “chalk line” – a length of cotton string impregnated with French chalk, and contained on a spindle similar to the “skirret” of our ritual.  The line is drawn out in exactly the manner described in our Master Mason Degree, and stretched between the previously determined points on the floor.  It is then given a slight “flip”, and as it strikes the ground along its length,

It leaves a line of chalk, which is subsequently rendered permanent with paint, or with a tightly stretched steel wire.  This line becomes the centre-line from which all principal dimensions are measured.  Any serious inaccuracy in its position could lead to chaos at subsequent stages in the work, therefore the responsibility for determining, verifying and approving this line is that of the Chief Engineer, or Architect – ” “The Master Builder himself”.

Our ritual leaves us in no doubt as to the symbolical significance of the skirret and its line, –

“a straight and undeviating line of conduct laid down for our guidance in the Volume of the Sacred Law.” 

How familiar to us are some of the points along this straight and undeviating line, –

Thou shalt not steal.

Thou shalt no bear false witness.

Honor thy father and thy mother.

Thou shalt not take the name of the Lord thy God in vain.

Thou shalt love the Lord thy God, with all thy mind, with all thy soul, and with all thy strength and thy                    neighbor as thyself.

We well know how any serious deviation from this line leads unfailingly to social chaos of one kind or another.  In a time of permissiveness and moral laxity, this “straight and undeviating line of conduct” is more than a guideline, it is a life-line.

THE PENCIL

The Pencil, in the sense that it is the instrument of original design, is again demonstrably an implement of the architect or master-builder, the means whereby his inspired talents are set down for the instruction of the workmen and the guidance of the supervisors.  On a recent visit to England, I saw, in a book, a copy of a beautiful drawing, executed in pencil on vellum, by the master builder Hans. V. Kohn, in 1442 – his design for the great open-work twin spires for Cologne Cathedral.  The work was not immediately undertaken, perhaps for financial reasons, but in the meantime Hans was offered an assignment in Spain, where he took his drawings and used them in building the almost identical open work twin spires of the great cathedral at Burgos. Hans subsequently died, and the drawings, like the “genuine secrets” of our traditional history, were lost. But,“time and circumstance eventually restored them after several centuries, for they were discovered in 1817, and the lovely spires of Cologne Cathedral, as they exist today, were faithfully completed to Hans’ original design.  Truly, the pencil of the Master Builder is an impressive tool.

Our ritual reminds us, however, that the pencil is an instrument, not only of design, but also or record,

“that all our words and actions are not only observed but are recorded by the Most High, to whom we must render an account”.

The shabby act, the unkind word, the dishonest deal, may be forgiven and forgotten by him upon whom it is perpetrated, and he is blessed by his act of forgiveness.  But it will not be easily forgotten by the perpetrator, on whose character it is an ugly stain.

“The moving finger writes, and having writ Moves on; not all the piety and or wit shall lure it back to cancel half a line. Nor all the tears wash out a word of it!”

THE COMPASSES.

Although the Compasses, together with the Square are said to

“convey the abstract means and end of the science in the most clear and comprehensive Manner”,                            the symbolic significance of this familiar instrument of design is perhaps a little more obscure.

To the schoolboy, the compasses is an instrument of two hinged legs, with a pencil on one end and a point on the other, which enables him to draw circles with a degree of accuracy he could not achieve by freehand efforts.  But the compasses of our Masonic Ritual have points on both legs.  They are of the type known to Architects, geometricians and navigators as “dividers”.

They are not drawing, but measuring, instruments and their function is proportion and symmetry.  By means of the compasses, a distance of one side of a centre-line can be readily marked off on the other side of the line, and thus the designer is enabled to maintain balance and symmetry in his design.

Symbolically, a balanced viewpoint and a sense of proportion are essential attributes of good and sound judgment and of the mature, sterling character which is our Masonic ideal.  We are told in our ritual that the Compasses “remind us of His (God’s) unerring and impartial justice.”  The ideal Master Mason is a well balanced  and just man, and one in whom, to quote Shakespeare, “mercy seasons justice.”  Perhaps this is what we mean when we say to the Fellowcraft, about to be raised, as he enters the darkened porch way and the points of the compasses are applied to his breast, that

“the most essential points of Freemasonry, which are Virtue, Morality, and Brotherly Love, are contained within the points of the Compasses.”

And so, Brethren, as we have each progressed through these three Degrees of Masonry, we have been presented, at the appropriate intervals with these nine simple tools, common implements by which physical material may be measured, cut and finished in accordance with a master craftsman’s design.  And, as we have been taught, each has been accompanied by a corresponding symbolic tool, to be employed by us, figuratively, to measure, cut and finish the all too frail material of our human nature, in our efforts to erect “an Edifice, perfect in its’ parts, and honorable to the builder.”

By Bro. Phil J. Croft, King David Lodge No. 93, BCR;

Published in MASONIC BULLETIN, BCR; January and February, 1974

Friendship

Just a few little quotes that struck a chord with me, I do trust they may do the same for you.

“One is taught by experience to put a premium on those few people who can appreciate you for what you are”       Gail Godwin  1937

“Of what help is anyone who can only be approached with the right words”  Elizabeth Bibesco 1897-1945

Thank you all again for allowing me into your homes, Have a wonderful Day & God Bless.

Norm.  (in friendship and brotherly love)

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ASHLARS

.“The Rough Ashlar is a stone, rough and unhewn as taken from the quarry, until by industry and ingenuity of the workman, it is modeled, wrought in due form, and rendered fit for the intended structure ; this represents man in his infant or primitive state, rough and unpolished as that stone, until by the kind care and attention of his

The Perfect Ashlar is a stone of true die or square, fit only to be tried by the Square and Compasses, This represents man in the decline of years, after a regular well spent life in acts of piety and virtue, which can no otherwise be tried and approved than by the Square of God’s Word

And the Compasses of his own self convincing conscience”

I believe we all have a very good idea of what a Rough Ashlar looks like and to what, in Masonic terms, it relates to, so I will consider the description given above to be adequate. The following is an article that I received some years ago and I feel to be truly relevant at this time.

 

The Ashlars

When a sculptor chooses a stone for his work, he looks for one, which has within it the innate beauty and perfection that he needs. He sees the finished product within the stone and removes that material which is not part of his final design.

In Freemasonry, a potential candidate for admission brings himself and his desire to become a Mason to the attention of a Lodge. The Lodge, knowing that he is a rough ashlar, tries to make certain that this rough ashlar has no flaws or imperfections within it that could marr the making of a perfect ashlar. It is frequently said that masonry takes a good man and makes him better.    We think of it as taking rough ashlars and trying to make them perfect.

Having recognized this objective, we must recognize that a mason is not an inanimate stone, which cannot grow; he is human, made of flesh and blood, who is striving not only to survive in his environment, but to make sense of and to enrich his existence.

His very soul requires him to make adjustments in himself, and in his environment, to meet his needs for happiness. Each and every individual, in his own way, attempts to grow to his level of greatest potential.

Abraham Maslow, a great educator & psychologist referred to this as “self actualization”

The individual, therefore has a tendency to correct any flaws and imperfections which come to the surface, if he becomes aware of them, and if they should in any way prevent him from reaching his goals. This process, according to Maslow, takes an individual his lifetime. Some stumble in their quest and some reach a plateau from which further growth seems impossible.

Freemasonry possesses the necessary tools and conditions to stimulate a Brother to further intellectual and spiritual growth or to guide the wayward back onto his true path.

One is, what one is, and at any particular point in time one cannot possibly be everything else. A good Lodge with sensitive, charitable, understanding, tolerant, humanistic and dedicated members makes a large and long-term investment if time and energy into aiding the personal development and individual potential of each and every member of the Lodge.

Instead of being perplexed, annoyed or turned off, others can, and ought to, take all aspects of his character and use them to the benefit of everyone, including himself.. This process requires a great deal of effort, patience and perseverance as time and circumstance of one’s interaction with his social and physical environment may demonstrate unexpected character traits.

To those who have attended an Annual “Installation of Officers” I bring to your attention the following excerpt from the “Charge to the Wardens”

suffice it to mention that what you have seen to be praiseworthy in others, it is expected you will carefully imitate, and what in them may have appeared defective, you will in yourselves amend”

Adapted from a paper written by George Jendyk. Pembina Lodge #126, Grand Lodge of Alberta.

 

THE GOLDEN CHAIN OF FRIENDSHIP

Friendship is a Golden Chain.                The links are friends so dear

And like a rare and precious Jewel          It’s treasured more each year.

It’s clasped together firmly                     With love that’s deep and true,

And it’s rich with happy memories          And fond recollections too

Time can’t destroy it’s beauty                 For, as long as memory lives

Years can’t erase the pleasure                That the joy of Friendship gives,

For Friendship is a priceless gift                        That can’t be bought or sold.

But to have an understanding friend       Is worth far more than Gold

And the Golden Chain of Friendship       Is a strong and blessed tie

Binding kindred hearts together              As the years go passing by

From Poems by Helen Steiner Rice.

 

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